Film Analysis: Band Frontman Jason Williamson Takes On Role in Critical Examination at Ecstasy Generation Era
The work of Portishead co-founder Geoff Barrow, this sharp-edged though undernourished debut feature turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to break into his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, enraged after David kills his dog. Nevertheless, a darkly funny duel unfolds – David desperate to escape; the Poacher withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
There is only one key story turn, but it leads to a comically executed chaotic run on the forest trails that veers toward rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film releases in UK and Irish cinemas from 17 November.
